AT THE BIENNIAL OF THE VOID. The Unknown Pichador makes his pitch for fifteen minutes of postmodern infamy. Source: Folha de S. Paulo
O vazio e a fúria: “The void and the fury.”
Fernando De Barros e Silva writes in the Folha de S. Paulo about the young girl locked up for tag-bombing the Biennial of the Void.
The author edits the Brazil (National) section of the paper and is the author of a biography of singer-songwriter Chico Buarque.
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Columnist Élio Gaspari also recently issued a plea for the young woman’s liberation, noting that a man indicted for a heinous murder had recently managed to get out jail faster than this spray-can vandal.
Caroline Sustos (sobrenome de guerra) está presa há mais de 50 dias. Ela integra o grupo que pichou um dos andares do pavilhão do Ibirapuera na abertura da Bienal de São Paulo. Aquela que ficou conhecida como Bienal do Vazio virou, enfim, um caso de polícia.
Caroline Sustos (a nom de guerre) has been in jail for more than 50 days. She is part of a group that tag-bombed one of the floors of the Ibirapuera pavilion during the opening of the São Paulo Biennial. The event known as The Biennial of the Void has, in other words, become an item for the police blotter.
Susto means panic or fright.
A prisão desta jovem me parece um exagero absurdo e cruel. Sim, há a lei. Mas imagine o leitor se os “artistas” da especulação imobiliária fossem em cana a cada predação do bem público que patrocinam, não raro em conluio com o poder público, para construir esta cidade tragicamente horrorosa e desumana.
The jailing of this young woman strikes me as absurdly cruel and excessive. Yes, the law is the law. But just imagine if the “artists” of the speculative real estate market were to go to jail with every predatory confiscation of public property they perpetrated, not infrequently in collusion with the government, in order to construct this tragically horrendous and inhuman city.
“Tragically horrendous and inhuman.”
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